One-half of the programming is set in contemporary settings, be it the international world of drug cartels in Traffik (1990) or the political landscape of fictional British Prime Minister, Francis Urquhart, in House of Cards (1991), To Play the King (1994), and The Final Cut (1996). While continuing to supply a stream of handsome, heritage literary adaptations, Masterpiece Theatre has evolved since 1985 under the guidance of Rebecca Eaton as executive producer. In 19, the 14 episodes of The Jewel in the Crown transported a mass viewership back to colonial India with a hefty budget adapting Paul Scott's tetralogy, The Raj Quartet. I, Claudius, a 13-episode saga depicting the lives of four Roman emperors, subsequently riveted large audiences during 1977 and was recognized as a television classic. The chronicles of the Bellamy family and their servants throughout the Edwardian era ensured the long-term existence of Masterpiece Theatre. Sixty-eight episodes of Upstairs, Downstairs were broadcast between 19, regularly attracting 12 percent of audiences. Sales for books adapted on Masterpiece Theatre inevitably swell, and the show has scored notable successes. Masterpiece Theatre has consistently attracted older, college-educated viewers and is vaunted by critics as prestigious, quality television. content beginning in 1999, complementing its recycled British products under the banner of Mobil Masterpiece Theatre's American Collection. Only in 1998-over two decades behind schedule-did PBS announce plans to produce original U.S. audiences to programming unlike typical network products. Lack of finances, however, engendered a reliance on British imports and consequently exposed U.S.
WAS ROBERT OSBORNE ON MOUSTERPIECE THEATRE SERIAL
"The huge disappointment to me is that it didn't turn to American serial dramas," he stated in O'Flaherty's twenty-fifth anniversary volume. Christopher Sarson, the first executive producer, planned for a transition after three years. In its original conception, Masterpiece Theatre was not meant to be a U.S. All of the serials aired during the first season were produced by the British Broadcasting Corporation (BBC). The first season likewise presaged the show's Anglophile aspect via such serials as The First Churchills, The Six Wives of Henry VIII, and Elizabeth R. The first season established the literary emphasis of the show, with serials based on Thomas Hardy's Jude the Obscure, Honoré de Balzac's Pére Goriot, and Fyodor Dostoyevsky's The Possessed. It was then made possible by financial support from the Mobil Corporation. It was inspired by the success of The Forsythe Saga, a twenty-six episode British television adaptation of John Galsworthy's Edwardian novels shown on PBS in 1969. Masterpiece Theatre was the brainchild of Boston's public television station, WGBH. Cooke's refined Oxbridge accent and the series's upscale British fare have been lovingly parodied by Sesame Street ("Monsterpiece Thea-tre" with Alistair Cookie Monster) and Saturday Night Live (Dan Aykroyd as snobbish host, Leonard Pinth-Garnell). For twenty-two years, the show was hosted by Englishman Alistair Cooke on a set recalling a posh London club. Masterpiece Theatre has imported British television serials from the outset, more often than not based on British novels that unfold against an English backdrop. I will miss him dearly.Masterpiece Theatre has become synonymous with high quality television since it began showcasing literary adaptations and biography on PBS (Public Broadcasting Station) on January 10, 1971. He brought so much joy to people around the world by sharing his knowledge and love of film. Robert was an endearing and talented man. “I have wonderful memories of being interviewed by him and answering his insightful questions. “I was saddened by the death of Robert Osborne, a remarkable and special man,” actress Eva Marie Saint told Deadline in a statement.
WAS ROBERT OSBORNE ON MOUSTERPIECE THEATRE FULL
An Oscars historian, he worked tirelessly to document our organization’s rich history, and he was our gracious greeter on the Academy Awards red carpet for several years.” Read the full statement below: The Academy of Motion Picture Arts and Sciences also shared some kind words on Facebook, writing, “The Academy is deeply saddened by the passing of our beloved friend Robert Osborne. Our thoughts are with all who love, as we do, Robert Osborne. Today we say good-bye to a dear member of our TCM family.
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